The Makropulos Case as a semiotic experience












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            * Pavla Jónssonová - Zuzana Jurková
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            Abstrakt

            In recent decades ethnomusicology has focused on, among other things, the role of the list
            comprehension of the function and/or the importance that music has for him/her. For this i
            and, especially, semiotic methods. Turino (1999, 2008) returns to the Peirce concepts of t

            index, the symbol, the rheme and the dicent, snowballing and chaining in order to explain 
            music.
            This article arises from two contrasting perceptions of the same musical event: Janáček’s 

            Makropulos Case. It analyzes both listeners’ experience on three levels in accordance with
            types of signs: as opera in the National Theater, Janáček’s music and the concrete 2008 pr

            Makropulos Case. A semiotic analysis of the inner reaction to the concrete musical renditi
            reconstruct the ontogenetic musical development and explains a certain universality of the
            opera despite different musical histories.


            Klíčová slova
            semiotics; Peirce; The Makropulos Case


            Článek v PDF ke stažení [ URL "LM-1002-version1-jurkova.pdf"]


            Pavla Jónssonová [ URL "LM-201.html "]
            Zuzana Jurková [ URL "LM-202.html "]