Hledání modalit hudebního vzpomínání












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            * Zuzana Jurková
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            Abstrakt

            Most of the humanities and social sciences are involved in the contemporary “memory boom”;
            focused on music are, in this aspect, still behind the times. In the presented text, the a
            a theoretical model for the ethnomusicological investigation of musical remembrance, which

            here primarily as collective. Its starting points are (a) Assmann’s concept of the time di
            connective structure (which is one of the building blocks of collective identity), (b) the
            remembrance as constructed and rooted in the present, (c) the basic ethnomusicological pre

            as a mirror, as well as a co-creator of social reality. Two research spheres are open to i
            interested in music remembrance: one in which music (as a sound phenomenon and performance

            the main subject of research, and the other in which music is understood´ (only) as a medi
            and the main attention is focused on social reality. Existing research signalizes two basi
            collective remembrance: nationwide modalities, and modalities specific for different cultu

            finding corresponds (with certain exceptions) to the concepts of other authors (Turino, As

            Klíčová slova

            remembrance; music; soundscape; Prague

            Článek v PDF ke stažení [ URL "LM-462-version1-hledani_modalit_hudebniho_vzpo.pdf"]


            Zuzana Jurková [ URL "LM-202.html "]