Vizualita národní identity v Mexiku: ****************************************************************************************** * Magdalena Koháková Haakenstad ****************************************************************************************** The Visuality of National Identity in Mexico: A Reflection of Collective Memory or of Disc Abstrakt During the last two decades, some sections of the academic world have shown doubts concern y of the modernisation paradigm in nationalism studies in general, as well as of the appli “classic modernist” theories of nationalism for the analysis of nationhood outside of West the suggested new approaches, which seem to be particularly fruitful in the case of Mexica is the investigation of nationhood through its representations in visual language. Whereas written forms of language were a key aspect in the shaping of the identit y of Western and nations, visual language articulated in the public space (i.e. through murals), with its c symbols and semiotic references, played a crucial role during the process of the homogeniz masses, especially at the beginning of the 20th century. This period was essential for the the “vocabulary” and the content of Mexican national identity. Although the muralist movem repressed for several decades (the 1950s–1980s), since the 1990s, public art has once agai and has again become an important agent in the negotiation and the articulation of nationa throughout Mexico. This paper analyses the role of visual communication in the process of and of the shaping of specific versions of national identity, and that in the historical p present. I build on the long-term field research I carried out in Mexico during the past t study of nationalism theories and of national identity, and on the methodology of visual a anthropology. Klíčová slova Mexican nationalism; public art; muralism; identity negotiation; visual anthropology Článek v PDF ke stažení [ URL "LM-788-version1-kohakova_2.pdf"] Magdalena Koháková Haakenstad [ URL "LM-217.html "]